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Nicolas Cage is opening up about his cameo in The Flash where he was featured donning the costume of Superman.
As you may remember, Cage tested as the Man of Steel for what would’ve been a Tim Burton-directed feature that was ultimately scrapped. With The Flash being about the multiverse, in another timeline, Cage does sport the red cape and blue suit but he said that what he filmed was not what appeared on-screen.
“When I went to the picture, it was me fighting a giant spider. I did not do that. That was not what I did,” he told Yahoo! Entertainment in an interview. “I don’t think it was [created by] AI. I know Tim is upset about AI, as I am. It was CGI, OK, so that they could de-age me, and I’m fighting a spider. I didn’t do any of that, so I don’t know what happened there. … But I get where Tim’s coming from. I know what he means. I would be very unhappy if people were taking my art … and appropriating them. I get it. I mean, I’m with him in that regard. AI is a nightmare to me. It’s inhumane. You can’t get more inhumane than artificial intelligence.”
He continued, “But I don’t think it [was] AI [in The Flash]. I just think that they did something with it, and again, it’s out of my control. I literally went to shoot a scene for maybe an hour in the suit, looking at the destruction of a universe and trying to convey the feelings of loss and sadness and terror in my eyes. That’s all I did.”
Cage said he was on the set of the Andrés Muschietti-directed film that starred Ezra Miller giving props to the director.
“They did put a lot of time into building the suit … and I think [Andy] is a terrific director, he is a great guy and a great director, and I loved his two It movies,” he said. “What I was supposed to do was literally just be standing in an alternate dimension, if you will, and witnessing the destruction of the universe. Kal-El was bearing witness [to] the end of a universe, and you can imagine with that short amount of time that I had, what that would mean in terms of what I can convey. I had no dialogue [so had to] convey with my eyes the emotion. So that’s what I did. I was on set for maybe three hours.”
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